Just so we don’t spend the ENTIRE week getting too weepy about leaving 2011 behind, today we’re all going to discuss what books we can’t wait for in 2012! Hold onto your spectacles, because 2012 is going to be JAM PACKED with books I am salivating over.

May 28
I find Tris Prior to be one of the most refreshing YA characters I’ve ever read. How she struggles with fighting for what she wants versus feeling guilty for wanting it reflects a truly painful human conflict we all battle, regardless of age. Tris suffers from an inability to bullshit the world about who she is, and people don’t always take kindly to teens (and in particular young women) who live that way. The people in Tris’ world REALLY don’t take kindly to it, and I’m so eager to see where Roth takes Tris, both in the geographic world of the Divergent series and in her emotional journey.

Date TBA
I remember reading the Publisher’s Marketplace announcement about this book, and the concept really struck me: “A boy everyone calls “Butter” is about to make Scottsdale High history. He’s going to eat himself to death live on the Internet – and everyone will watch. He announces his deadly plan to an army of peers and expects pity, insults or even indifference. Instead, he finds morbid encouragement.” And a funny thing happened with this idea. It stuck around. I kept thinking about it when there was a rash of horrible teen suicides last year. When the Hunger Games movie started discussions about teens interacting with the world through “reality” shows. I love this concept, and most of all I’m so eager to read how Lange handled these issues in her book, and see what kind of discussions it sparks.

May 1
I’ve struggled over the last two years with some YA heroines who are physically, butt-kicking strong, but who lack a nuanced emotional vulnerability. Kristin Cashore’s fantasy books feature leading ladies who assert themselves physically, and lead rich and complicated inner lives. Cashore brings each character such depth that their struggles with innate superpowers or neon monsters seem totally relatable. I can’t WAIT to see what Bitterblue has in store for us!

Stephanie Perkins Isla and the Happily Ever After
Fall 2012
With Anna and the French Kiss and Lola and the Boy Next Door, Perkins has crafted two stories that are some of the best contemporary YA I’ve ever read, and I’d argue the most natural, fresh voice in that genre right now. What’s drawn me to her work, along with the perfect pacing and general quirky spirit, are the boys. These are boys. By that I mean, dudes. Guys. People that I’ve met, that I’ve known, that I’ve loved. They’re imperfect, they’re not drop-dead gorgeous, they’re awkward, they’re scared to death of the women they’re attracted to. Etienne, Cricket, and Josh are the most swoon-worthy boys in YA that I’ve ever met, and quite frankly I married one of them. It’s an absolute joy to see Perkins translate the thrills of falling in love with someone so real.
(GPOAB* included in lieu of not-released book art because he/Seth Cohen typify the type of guy that Perkins writes, and also, I think she’d approve.)

August 28
AAAAAAAAAAAAAHHHHHHHHHHH! There is no conceivable way I can wait another eight months for this book, the sequel to Cronin’s 2010 novel The Passage (pictured above because artwork for The Twelve is being shrouded in mystery and impending terror, no doubt). I loved The Passage more than I have loved a book in a very long time, because though it clocks in at an astounding 800 pages, not a scene is unnecessary, not a word misplaced. The action is tense, the characters are vibrant, the world is, in a word, angsdngfksd. Everyone called this a vampire book, but it was really more like a vampire-zombie post apocalyptic mash-up of Mad Max and 28 Days Later. I will be pre-ordering this to my Kindle and staying awake to begin reading the minute it downloads.
Check out what everyone else had to say!
* Gratuitous Picture of Adam Brody
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Ethereal, surf-pop inspired, steady beats, vocals in three-part harmony… Yeah, this album was basically my complete and utter jam. It struck that perfect balance between ‘soothing enough to be background music’ and ‘fantastic enough to just listen to normally at other times’.

