Random

A New Look, Courtesy of Noelle Stevenson

by sarahenni on February 21, 2012

Welcome to the new, prettified Sarahenni.com! (For those of you reading on an RSS feed, you might want to click through for full effect.) Since The Great Blog Disaster of 2011, I’ve been working on redesigning my blog to make it more pleasant-looking and comprehensive. I’ve added FAQ and lexicon guide pages, as well as a Listening To page where I’ll track my most-enjoyed albums.

Self-Portrait by the Artist

But! Most evident and most exciting, a new, gorgeous blog banner drawn by local Washington, D.C. artist Noelle Stevenson!

I’ve been following Noelle’s art on her Tumblr (better known as Gingerhaze) for a while, and I’m so glad she agreed to lend some of her style to my blog. She’s a student at the Maryland Institute College of Art, and does freelance art and fanart in her spare time. I asked her for an interview so my readers could get to know her better.

 

When did you start drawing?

I’ve pretty much always been drawing! I was one of those kids who tried to one-up the other kids at crayon time and always got art kits for Christmas. I very clearly displayed a inclination towards it at a very young age.

What made you decide to pursue art school?

I started planning for it as soon as I discovered it was possible to go to school for art. I knew that there was nothing else I’d rather be doing, and so it wasn’t a hard choice to make.

I discovered your Tumblr when my friend linked to the Broship of the Ring. What made you decide to draw the Broship?

My family has a tradition of watching Lord of the Rings every time we’re all together, so I grabbed my tablet and was doodling while watching it. I can’t say where the actual idea came from, but I drew outdoorsy Aragorn, preppy Legolas, and trucker Gimli first and posted them on my Tumblr. It blew up really quickly. Of course I had to keep going!

Were you surprised by how the Broship blew up? You and your drawings became internet famous!

It was super exciting! I found myself with a fairly large following pretty quickly and was seeing my art on big websites like io9. It was kind of surreal.

What is it about a certain book/tv show/movie/comic book that inspires you to draw its characters? For example, you’ve mentioned enjoying Game of Thrones, but you haven’t featured many drawings inspired by it.

You know, I can’t really say! Just that there are certain things that provide me more readily with material. Lord of the Rings, for example, is full of inspiration, because while it’s epic and beautiful, it’s also very easy to make fun of. I can’t say I felt very funny after finishing Game of Thrones. I also haven’t seen very much of the show yet, and it’s easier to draw fanart when the imagery is provided to you.

I write young adult books, and blog about a lot of YA books/movies/TV shows. So I love that you have drawings inspired by The Hunger Games! How did you first hear about THG? What made you want to draw those characters?

My friend recommended them to me and I was hooked instantly. No matter what anyone says about the writing style (and despite the fact that Suzanne Collins apparently decided that she hated all of her readers by the third book), they are undeniably engaging and addictive. I really found the character of Katniss refreshing, especially in the wake of Bella Swan. So when I found out that they were making a movie, I wanted to record my impression of the book before they were altered by the imagery of the movie.

Are you excited for the movie? Any concerns?

I’m very excited! From what I could see in the trailer, it looks like they really captured the spirit of the book. I’m still nervous about a few things, mainly that they’ll play to the pre-teen Twilight crowd too much, but from what I can see so far they’ve done a good job of avoiding that trap. The casting is unusual but I think they could all do a really good job.

Have you read other YA books, or do you seek out anything YA?

I haven’t found much YA to read lately seeing as it’s mostly undead teenagers in love, but I really do like the genre. I prefer action/adventure themed stories though, and sometimes those get placed in the children’s section even if they have more mature themes.

What are you reading right now?

I’m working my way through A Song of Ice and Fire by G.R.R. Martin, but I think I may give up after A Storm of Swords. It’s a bit too much for me.

What do you hope to work on once you’re done with art school?

Any kind of narrative illustration, hopefully! I came to school interested in book illustration, but my sights have shifted towards comics, especially since I’m more interested in telling my own stories. But I’d love to write and illustrate my own book at some point!

Thank you so much, Noelle! And thank you for the gorgeous artwork :) You can find more of Noelle Stevenson’s art on her blog, Tumblr, and Twitter, and buy prints at her shop!

{ 24 comments }

A Valentine Post

by sarahenni on February 14, 2012

Happy Valentine’s Day! I’m posting as part of YA Highway’s Blog Circus Lovefest, and I couldn’t decide on just one object of affection to send a Valentine’s Card to. So I gathered a few of my favorite characters, and scoured Etsy for cards that would perfectly capture my love. It was a tough job but … okay, fine, it was totally fun. I had a blast finding the cards, and casting the characters—so here they are, my Valentines!

 

I’d send the dreamily odd Cricket Bell (from Stephanie Perkins’ Lola and the Boy Next Door and cast here as Nicholas Hoult) this fun, funky card—appropriately made in San Francisco! The polar opposite of moody, broody rocker Max, Cricket Bell was smart and a bit silly. But his loyalty and genuine nature made him one of my absolute favorite YA boys… next to Etienne, of course!

Warner from Tahereh Mafi’s Shatter Me is a lot of things: controlling, manipulative, demanding, ruthless… a touch psycho? But as the book goes on it’s clear there’s a whole lot more to Warner than meets the eye. The promise of a heart-wrenching backstory and surprising plot twist or two is enough to get me hooked for Unravel Me, and to keep me on Team Mysterious and Tortured. But you can’t just give a man like that a box of candy hearts, so Warner (played here, per the author’s suggestion, by an extraordinarily smoldering fox in a tux whose name I don’t even care to know because it’d ruin the mystique) would get this simple card with a complicated message by Fifi Du Vie.

Oh hi, Love Interest in the forthcoming Bitterblue by Kristin Cashore. I don’t know you. Not even your name—seriously, there’s no hint of anything on Goodreads even. But I’m prepared, nay, predetermined to fall madly, wildly, foolishly in love with you. And every minute we are apart? Every day that the elusive ARC of Bitterblue passes hands and I remain clueless about each of its 500+ pages? I miss you more. Happy freaking Valentine’s Day, mystery dude.

Oh, Gale. Pretty, helpless, moping-in-a-meadow Gale. Get back in the coal mines, buddy—Peeta got your girl by painting himself into dirt. I know,  it sucks. But take the advice of this apt, and awesome, print (also by Fifi Du Vie) and don’t get too bogged down with, you know. Thoughts.

I was also dying to give away this Valentine to a fictional studmuffin:

But I couldn’t think of just the right guy (or gal!). Who would you send it to?

For other Valentine’s awesomeness, check out the other Blog Lovefest posts, and rock out to my collection of non-romantic Valentine’s Dance Break songs!

{ 38 comments }

Go Away, I’m Reading

by sarahenni on February 10, 2012

I’m so excited today to bring you something very, extremely cool that was—once again—made possible through the magic of Twitter! I shared this recently, an accessory that I’m fairly certain all of my friends absolutely need:

(source)

My friend Tracey Neithercott commented that it would make a great Kindle or book cover, and we commiserated that – to our knowledge – the internet had not yet created this. Enter Erin Bowman, organizer of awesome things and designer extraordinaire, who said, “Challenge accepted!”

After some brainstorming of what other great covers would fit in the “Go Away, I’m Reading” vein, Tracey, Erin, and I had some fantastic ideas. Just days later, Erin had an amazing design that was custom-made for (slightly smaller) YA books.

There are three sets of designs, all of which will allow you to silently warn everyone at the coffee shop that Reading TIme ≠ Social Time.

To get Set #1, go here:

For Set #2, go here:

And you can download Set #3 below!

At Hogwarts // In Narnia // Mt. Doom (LotR) // In the Arena (Hunger Games) // In Forks (Twilight)

Printing Instructions:

These covers will fit the traditionally-sized YA book.* Take the PDFs to your local FedEx or Staples and get them printed on tabloid paper (11x17in). We suggest a matte cardstock  (you could print on something glossy, but sometimes that causes light glares at certain angles and you want people to be able to read that Go Away message without incident). Choose a weight between 60-80lb for the paper. Anything lighter and the page will be too thin, anything heavier and folding it around your book will be difficult. You can have the store cut the printer-outs for you (it will cost a little more), or you can handle it on your own when you get home (there are crop marks in the files).

Erin also has a great tutorial up on her blog about how she puts the dust jackets on her books. I have a little different method, so here’s a video where I show an alternative dust jacketing method:

Let us know what you think, and of course we’d love to see pictures of the dust jackets in action!

* There are, of course, exceptions.

Creative Commons License
“Go Away” Dust Jacket Series by Erin Bowman, Sarah Enni, and Tracey Neithercott is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
Based on a work at www.embowman.com

{ 36 comments }

Love and Letters

by sarahenni on February 3, 2012

It’s February! Usually I love this month because it kicks off with the Superbowl, but I can’t really get jazzed about this year’s matchup. So I’m skipping right past that to my next favorite thing—Valentine’s Day! It gets a bad rap, but I’ve always appreciated a day that’s meant to celebrate a powerful, positive thing. A best friend or even a pet can be a Valentine, technically. Love is love, it doens’t just have to be romantic!

And, in that spirit, and because I use this blog to feed my Etsy addiction care, I gathered some of the best literary Valentine’s cards and gifts I’ve seen lately. It’s not too late to get your beta reader, writing mentor, agent, editor, or muse a little reminder of your unending love and admiration!

Not quite a card, not exactly a pillow, this notebook-inspired keepsake from CornFlowerBlue Studio is unique, fun, and frameable. It’s the note I always wished someone would pass me in study hall!

Feel like letting your beau know you think of them whilst brooding on misty moors? No better way than sending them one of these Valentines from Presse du Four with words from The Original Emo Crew—Shelley, Byron, or Keats.

Love a techie bibliophile? They’ll delight over Rich Neely Designs‘ incredible array of iPhone-charging tomes. (And hey, don’t flinch at the idea of drilling into a hardback Harry Potter edition. This one was a horcrux anyway.)

Decoration? Inspiration? Command? This lovely print from coniLab can be whatever they need it to be, and that’s the beauty of it!

If making saucy innuendos about libraries is wrong, Constellation & Co. doesn’t want to be right.

This and so many more Ex Libris Journal prints are clever and beautiful and begging to be framed in any self-respecting literati’s office!

What about you?? Are you a V Day lover or a hater? Have you found any great writerly gifts lately? Has Etsy warped your brain as much as it has mine??

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Vlog: Hammer Time!

by sarahenni on January 18, 2012

The pictures of writers and their cats are from the Writers and Kitties Tumblr.

More information on the Hemingway Cats here.

More info (and pets!) through the organization that brought us Hammer, Homeward Trails.

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2011 in: Albums

by sarahenni on December 26, 2011

Well, here we are friends! Though it seems like we just welcomed 2011 in, but its final days are winding down. That can only mean one thing—a deluge of fantabulous end-of-year lists to help us remember and commemorate the 12 months that was! In addition to being a wild year for me personally, 2011 was a fantastic year for writing, books, music, etc! To celebrate, some friends and I organized a week-long blog circus where we’ll share some of the best albums, books, and characters that we discovered in 2011 (not necessarily things that were new this year), and we’ll also look ahead to what’s in store for 2012!

We’re kicking it off today with the list of the best in writing music. Everyone’s different when it comes to writing—some prefer silence, some a loud cafe, some prefer full albums and some curated playlists. I go through phases, but usually you can find me using long playlists consisting of several full albums that help me lose myself in the music, the moment, I own it… oh—wait. No. No, Eminem did not make this list.

Here are my top 5 for 2011 (in no particular order), and the links to everyone else’s  response is at the bottom!

The Civil Wars “Barton Hollow”

This is about as Prairie Home Companion as I get, I’ve got to say, and what pushes this group past twangy kitsch is their undercurrent of southern gothic (best represented here). To me, the best of their music embodies the delightful American myth of a part of the country where the ghosts of your ancestors and their mistakes are nearby, haunting. Where long walks through never-quite-silent forests can lead you to any generation’s hell. If you’re writing a book that’s a little creepy and/or a lot wicked, I’d recommend adding one or two of these songs to your playlist.

Radiohead “The King of Limbs”

Radiohead is my spirit animal. One day, many years ago, I was a 13-year old punk endeavoring to download the entirety of Napster when I decided to search for songs with the name “Sarah” in them. I was in the market for a theme song because, obviously. I came across Lucky, and my universe tilted half a degree to the left. My friend Jessica recently used Radiohead as a verb to describe something that was so beautiful, and so sad, that it made you feel joyful in this nihilistic, invincible way. I almost kissed her because it was so, so perfect. ALL THIS TO SAY. Radiohead has made me feel inspired, and helped me unlock my inner weird, creative person for more than half my life. I love them, and I love that they consistently put out new music like this, that works so, so well to write to.

Jeff Buckley “Grace”

I know guys, I KNOW. I am THAT girl who is putting Jeff Buckley on her playlist. But there is simply nothing more gorgeous and haunting than this man’s voice, and for some reason listening to this CD while I was writing this year unlocked a certain character completely for me. If you haven’t listened to Jeff Buckley before, you absolutely must (but you might want to be sitting on a porch on a warm summer evening with a bottle of wine to get the total effect).

Ray LaMontagne and the Pariah Dogs, “God Willing and the Creek Don’t Rise”

If you’re writing a song about two young people dealing with crippling loneliness in the far west desert of Texas … Ray does the trick.

1. Local Natives “Gorilla Manor”

Ethereal, surf-pop inspired, steady beats, vocals in three-part harmony… Yeah, this album was basically my complete and utter jam. It struck that perfect balance between ‘soothing enough to be background music’ and ‘fantastic enough to just listen to normally at other times’.

And in honor of the #1 pick, I will also share one of my absolute favorite online videos of all time, a French online music magazine’s live version of Local Natives’  song, “Who Knows Who Cares.”

Check out what everyone else had to say:

Caroline Richmond

Corrine Jackson

Erin Bowman

Kaitlin Ward

Kate Hart

Kathleen Peacock

Kirsten Hubbard

Kristen Halbrook

Kristin Otts

Lee Bross

Lindsey Roth Culli

Lynn Colt

Phoebe North

Stephanie Keuhn

Sumayyah Doud

Veronica Roth

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Deathly Hallows: Part Deux

by sarahenni on December 21, 2011

[Posted originally July 18, 2011] So—it’s been more than 72 hours since the final installment of the Harry Potter & Friends film franchise debuted. I think we can safely say that the polite period of silence has passed, and it’s time for a spoiler-packed post discussing the film!

Overall I really enjoyed it, and I thought it struck an appropriate emotional tone to cap off the series. But of course, as I am a highly opinionated person, I have some thoughts on where the film succeeded, and where some choices left me scratching my head.

The Split I think the first film of The Deathly Hallows must have been the driver for when to split the two films. Deathly Hallows Part I took a somewhat meandering, action-less portion of the film and created a beautiful story arc about a friendship. Harry, Hermione, and Ron were tested beyond their limits, then their friendship was redeemed by selfless action and the ultimate sacrifice of a Free Elf. It was a whole story, driven by an emotional arc and the theme of the entire series: the power of friendship.

But that left this movie with little to build a similar arc around. David Yates & Co. had two hours’ worth of essential plot points (Gringotts, Aberforth, Diadem, Snape revelations, Harry’s death, showdown) that left little room for a cohesive emotional story to develop, or for the audience to get much of a break from the heightened intensity. In the second half of the book our favorite characters are still unsure of their plan, surrounded by chaos and confusion. And the same goes for the viewer, which makes this movie great, but also a more challenging watch.

Our Favorites McGonagall was amazing, and was given one of the only lighthearted moments in the film (“I’ve always wanted to do that spell!”). Her battle with Snape was fantastic—McGonagall whipping out hardcore attack spells and Snape defending—and it’s a testament to how well Maggie Smith portrayed the character that, when McGonagall starts to look genuinely scared we realize the shit is really going down.

However! One major problem I had with the screenplay was after Voldemort gives the Hogwarts crew the “give me Harry or die” ultimatum and Pansy Parkinson cries out for someone to grab Harry. In the film McGonagall says, “All Slytherins, get out!” (Paraphrasing a bit, here.) That was nothing short of a disastrous choice of dialogue. In the book McGonagall asks Pansy to lead the Slytherins out of the castle, to be followed by all the other houses. Every first year is evacuated, regardless of house. But when asked if some could stay to fight, McGonagall says any of-age wizard can stay behind. Of course that leads to the redemption of several members of Slytherin house, including Professor Slughorn. Leaving the quote as-is in the movie makes Slytherin a house filled with irredeemably bad wizards, which belies oh, you know, the entire point of the whole series.

I loved the Snape revelations. To be honest, all that information was a total infodump in the books, so the short and effective pensieve sequence was perfect. Of course Alan Rickman was devastating. Seeing him emote while wearing Snape’s robes was a bit shocking, to be honest, and his death slayed me. (Though I don’t quite understand the choice to have his tears hold memories, instead of… you know, a memory? I was like, “why is Harry scooping up his tears, this is awkward.”)

I ship this so hard.

Luna freaking Lovegood was amazing, per usual. But my favorite thing had to be when she stopped on the stairwell and shouted, “Harry Potter you stop right now and listen to me!” How many times did we wish someone would say that to Harry in the books?! He could be such an arrogantly myopic wanker. And the whole, “I’ve got the hots for Luna” revelation by Neville in the Battle? Totally not part of HP Canon (Neville marries Hannah Abott) but I dig it so much. These two are such badasses.

The kiss!! It was awesome. The timing was fantastic (duh who wouldn’t want a kiss after a near death-by-water-basilisk moment?) and of course these two were adorable.

The Battle of Hogwarts It was INTENSE, and the filmmakers made some necessary changes. The book’s version of events is, more or less, a string of blow-by-blow duels. For the film, though, it was important to give a visual context of how the castle was being attacked. For the most part those sweeping shots of Voldemort and his pale-faced avengers overlooking the castle (and the army of wood brogues led by a Johnny-Depp-as-Captain-Jack wannabe storming the bridge) replaced any duel scenes. I understand that, and thought it was successful for the most part.

However, in my opinion, that choice kept the film from mirroring the book Battle’s brutality. When I read the battle scenes for the first time I sat straight up, mouth agape, totally horrified by the uncurbed violence. It was abattle, for doxies’ sake. The film seemed much more detached. Not showing Fred’s death was a decision I don’t entirely disagree with, but it certainly was a glaring absence. And the one major duel that the film did choose to highlight—Molly Weasley striking down evil witches like a BAMF—was short, and lacked the savagery I remember from the book.

Another thing I thought noteworthy about the duels was the lack of verbal spells. In my opinion, it was incredibly important for us to see Molly Weasley use the Avada Kedavra spell, and Harry choose not to. When Molly annihilates Bellatrix using the most unforgivable of curses, we cheer along. We are a party to the bloodshed, as responsible for the destruction as anyone rooting for the other side. That’s crucial to the reader & viewers’ role in the series. And it’s equally crucial for us to see Harry use expelliarmus, his old first year fall-back spell, as the ultimate undoing for Voldy. The dichotomy is important, and I don’t think the film highlighted it well enough.

Voldemort’s Death Though it was a bit underwhelming, it was wholly accurate to the book. So props for authenticity on that one. But that leaves the best Voldemort battle, by far, as the showdown between he and Dumbledore in The Order of the Phoenix. THAT battle had all the elements I hoped to see more of in this film’s duels: tremendous acting, creative visual displays of magic, and cruelty and fierceness in equal measure.

The Epilogue We’re all pretending this didn’t happen, right?

The filmmakers had quite the high-pressure gig trying to get this story told properly, and I’d say that overall they did a fantastic job. I was crying and laughing, and it made me want to reread all the books—and isn’t that truly the point?

So, what about you?? Do you agree with my rambles? What did I get completely wrong? Also—big question: I maintain that there’s no way this film could be someone’s “favorite” Harry Potter film. Dr F vehemently disagrees. I made another blog post about it. What do you think??

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The Deathly Hallows

by sarahenni on December 20, 2011

[Originally Posted Nov. 22 2010] If you spent this weekend doing anything besides seeing the Deathly Hallows, I sincerely hope something large with sharp fangs was holding you back. The über-anticipated first half of the Harry Potter finale came out on Friday, and Dr Fiance and I saw it with a (bizarrely not packed) theater of HP-lovers, and on the whole I think we both enjoyed it quite a bit. Below, my (spoiler-packed) thoughts on the film.

The Split I was really eager to see how the filmmakers decided to split the seventh book. It must have been agonized over, and I think the final decision was very well done. However, the first half must have been extraordinarily difficult to translate to film as — though our heroes destroy the locket horcrux, go to Godirc’s Hollow, and escape from the Malfoys — nothing really happens. The first half of the book is all build-up. The dynamics between Harry, Ron, and Hermione get twisted and brought nearly to (perhaps beyond?) the breaking point. Voldemort gains the upper hand and the magical world devolves into outright danger, but since we’re in Harry’s head we barely see any of it. In short, the first half of the book was much better suited to be a book. This filmmakers had a tremendous challenge, but I think they lived up to it.

(However, David Yates is still on my ‘naughty’ list for the sixth movie, which was undoubtedly the weakest and in which he flagrantly made shit up like having the Burrow explode into flames which, though I know Jo Rowling approved, was still appallingly bizarre. Etc., etc., I could go on for days. Another blog post maybe.)

Setting The film must have been absurdly challenging for any audience members who have not read the books. For so many reasons, this film would be the most difficult to understand or appreciate unless you knew the details that Yates & Co. merely hinted at, or showed in not-explicit ways (the mirror; the ‘Snatchers’; the radio program). One of the most disorienting things about the seventh book and movie was the lack of Hogwarts. The school, and the castle itself, has served as setting (and a character in and of itself) for the entire series. In Deathly Hallows Part I, not only do our heroic trio never set foot on castle grounds, we never hear anything about what is going on there. And without the castle and the structure of a school year, it was difficult to get a sense of the passage of time.

However, that served a distinct purpose in the book and the film. Our characters are lost and disoriented, too. The different scene locations that Yates & Co. used (misty English forests, the underside of a run-down bridge) were not only gorgeously shot, they were also used effectively to mirror the emotions of our hopeless, confused trio.

Character Development Hermione was the emotional story arc of the film, and it was executed ridiculously well by both David Yates and Emma Watson. From the opening scene, where she nearly broke my heart with her emotional restraint, to the reunion with Ron (come on, Emma, you can swing a rucksack harder than that!), Emma Watson was the core of the story progression. She was at her weakest (withdrawn and disconsolate after Ron left), and at her strongest (refusing to betray her friends and their mission even while Bellatrix carved rude words into her arm).

That was the true story of the first half – our characters were tested and brought to rock bottom. But, in the end, they are reinvigorated with the true sense of friendship that has gotten them through every scrape they’ve been in before. (And that sets us up for Part II, in which they have a renewed sense of purpose and do incredible BAMFy things like fly on dragons and OMFG I am so excited.)

Lovey-Dovey Whereas in The Half-Blood Prince I felt that David Yates’ attempts to illustrate the group’s growing romantic tensions were clunky and heavy-handed (Ginny bending over to tie Harry’s shoe? Really?gag), I thought this time around was subtle and touching. The opening shot after the first night in 13 Grimmauld Place, with Hermione and Ron’s hands barely touching, was lifted right from the book, and was all we needed to see to get an accurate sense of their budding romantic feelings. (I totally swooned.)

Minor Characters Shine Some of our favorite non-trio characters (Snape, Neville Longbottom, Luna Lovegood, Draco Malfoy) had only fleeting scenes in Part I. However, each one of them really maximized their screen time. Most especially, IMO, Snape and Draco. Alan Rickman (an absolute genius, per usual) gave such a subtle performance (doesn’t he always?) and his expression when he saw his Hogwarts co-worker floating above him, begging for help, was completely devastating. And Tom Felton (looking increasingly attractive off-screen, might I add) was brilliant in evoking Draco’s growing internal struggle between begrudging loyalty to/fear for Voldemort and increasing understanding and respect for Harry.

So… Sorry to be overly verbose (as is my wont) but those are my main take-aways from the movie. In fact, after writing this post and thinking even more about it, I enjoyed the film very, very much. What about you? What did you think?

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Avatars to Avoid

by sarahenni on December 20, 2011

A really big part of online presence—and something that, at least on Twitter, is even more important than your name/handle—is the avatar, or picture you choose to represent you. When I am on Twitter, a quick glance at the pictures scrolling in my feed gives me an instant idea of who’s online and chatting. It’s a quick and easy way to tell people a lot about yourself—and that isn’t always a good thing.

I’m sensitive to avatars. I notice when people choose ones that make me uncomfortable, or simply aren’t pleasing to the eye. I’m not talking about how you look, I’m talking about the design, structure, color, or framing of the picture you choose to represent you. And frankly, when someone has an avatar that strikes me wrong, I tend to unconsciously glance past their updates.

Fortunately this is something entirely within your power to control. I’ve compiled a list of examples of poor to downright bad avatars.

I’d like to emphasize that this list is made up entirely of my opinion and mine alone, it’s crazy subjective and you’re welcome to dismiss it entirely.


Ones that are too active. Punching or kicking the camera might seem like a great way to make your picture engaging. But then every time you pop up in my feed, you’re punching or kicking me. It’s like the avatar equivalent of those “YOU’RE EATING SOMETHING RIGHT NOW THAT IS KILLING YOU, more at nine!” news promos. The shock value wears off after a (short) while. Same goes for active pictures that are blurry, or where the action is taking place so far away that I can’t tell what’s happening in the tiny space of an avatar. It’s confusing and—unless it’s a picture of you smiting a zombie with Valyrian steel, which is acceptable no matter what the picture quality—you might want to reconsider.



Ones that are too close up. I like to imagine the people on my Twitter feed as real people, or benevolent robots, who might actually say the things they tweet in real life. So I’d love to see your face—your whole face. As beautiful as that one bloodshot eye is in your closeup, I’d like to see your smile, your funky necklace, your awesome hairdo… things like that. Not the spot on your chin that you missed shaving this morning.


Ones that look like a Myspace pic. You know what I’m talking about—a photo someone obviously took of themselves wherein they are wearing a dead-serious expression and are focused on something out of the frame that is, presumably, so hip and amazing that no one else has even see it yet. Sorry to anyone out there still rocking the turn-of-the-century-chic pose, but at this point it just sends the message that you’re too cool for Twitter, and if that’s the case, why are you on it?


Ones where I can’t see you. Unless it’s pretty much the coolest picture of you ever taken (i.e. that whole zombie smiting thing)(in which case I’ll likely be curious enough to enlarge it and witness its awesomeness), you need a picture where people can tell what’s happening, even when it’s a tiny one that first just alongside 140 words. A dark avatar is easy to skip over and miss, and you don’t want that, right?


Ones that are patently offensive. You’re not Sid Vicious fighting the man. You’re on Twitter like the rest of us, a voluntary service where people have to be interested in what you’re saying, or they’ll just move on. Unless you’re Billy Joe Armstrong and a vehement fanbase will swoon over every punk-rock word, give it a rest.



Ones that make you look like a pedophile robot. When I see Twitter’s default avatar—the egg—I assume you are an evil robot trying to infiltrate my computer, or possibly offer me the chance to claim my right to a bazillion euros if only I tweet my bank account number. However, there are some very funny people (like literary agent Barbara Poelle) who have taken the egg default and put their own (very clever) spin on it.



Ideally, you want an avatar that is memorable. When people first get to know you on Twitter, that picture represents you. It should be easy to recognize, and friendly. It DOES NOT have to be a professionally taken picture. It just has to make you look like a professional.

What about you? Are there any Twitter avatar trends that you’ve noticed that aren’t ideal?

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And Now For Something Completely Different

by sarahenni on December 16, 2011

Hello lovely blog readers! I wanted to update you on my next few weeks, lest anyone take offense to my lack of interaction. Starting tomorrow, Dr Husband and I will be out of the country for a spate, enjoying our honeymoon! We delayed the honeymoon trip so that we could escape winter yet still hang out with penguins. Where is the magical land where this is possible?

(source)

New Zealand! We’re so excited (and we’re nerding out like no tomorrow over the chance to see Rohan IRL). So, thanks to the magic of blog and tweet scheduling, I’ll still be posting and tweeting over the next few weeks. However! I won’t be around very much, if at all. So my usual habit of responding to comments will be delayed until January, and if I fail to respond to tweets, it isn’t some personal snub!

I’ll just be visiting this… which is actually the setting for my first book, which was shelved in 2010 but I hope to revive based on inspiration from this trip! Yay!

What about you? Are you traveling anywhere fun for the holidays?

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